A Beautiful Composition of Broken by r.h. Sin
My Rating: 3/5 TARDISes
Series: Standalone
Date Published: July 25th, 2017
Publisher: Andrews McMeel Publishing
Pages: 480 pages
Source: Netgalley
Links: Goodreads | Amazon | Book Depository
Synopsis: r.h. Sin, bestselling author of the Whiskey, Words & a Shovel series, returns with a collection of poetry and prose meant to remind the wounded that they are, in fact, beautiful in a way society may never comprehend.
A Beautiful Composition of Broken is inspired by some of the events expressed artistically by Samantha King in the bestseller Born to Love, Cursed to Feel. It serves as a poetic documentary of the lives of people who have been mistreated, misunderstood, and wrongfully labeled in a way that limits them in this world. The author’s most personal volume yet, A Beautiful Composition of Broken builds a conceptual bridge between r.h. Sin’s earliest work and his forthcoming series, Planting Gardens in Graves.
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*I received a copy of this book from the publisher in exchange for an honest review*
I am so conflicted over this collection of poetry. Having enjoyed the previous two collections of r.h. Sin’s work that I’ve read, I really wanted to love this one. And at first, I was once again pulled in by his words. Unfortunately, my expectations were a bit too high, and I ended up feeling very disappointed by this collection as a whole. The quality writing that I have come to expect from Sin is definitely there, but the power and impact of his words is severely lacking.
The biggest issue that I have with this compilation is how incredibly repetitive it is. At the very beginning, the poems are deceptively unique. They are extremely reminiscent of his previous works, but not so much that they are completely uninteresting to read. However, it quickly goes downhill, as each poem begins to feel like the last—variations of the same exact story. Nothing is inherently bad about the poems themselves—they are still well-written—but the ideas and themes in them repeat to the point of monotony.
This collection feels very much like it is made up of cookie cutter poetry instead of many distinct pieces that come together to form a unified work. Everything ties together, but this is due to the fact that each piece comes across like it is the same exact poem articulated in a different way. It sucks out all of the emotion in the message he is trying to convey through his words, and things begin to feel forced. The poems start feeling cheesy rather than meaningful, and they take on an unappealing hollowness.
There are still plenty of redeemable qualities about r.h. Sin’s poetry, particularly the general beauty of his words. With his talent, I feel as though he could easily do so much better than this. If he varied his topics, even staying within the theme of love, betrayal, and eventual empowerment, this would have been a much more interesting and impactful reading experience. This has caused me to lose some enthusiasm about reading Sin’s work, but I will still be giving some of his other collections a try.